Sunday, October 30, 2011

John-Alex

The first time I met John-Alex Mason was the first time I was to hear him perform. Both events proved to be monumental on many levels. Musically, I couldn’t believe this Nordic version of the Greek God Apollo could sound like an African American native of Clarksdale, MS. But indeed he did.

I would go on to hear John-Alex many, many times over the years, and each time, my mind returned to the first, because each time was sui generis. One of the last times I heard him play, he was at the Boulder Outlook with the Cedric Burnside Project, and I wrote this (complete blog entry can be found here):

The evening opened with the amazing one man wall of sound, John-Alex Mason, alone on guitar. I’ve known John-Alex for a few years now, and yet this was the first time I’ve heard him alone on guitar. He typically plays his solo gigs on guitar and drums simultaneously, creating the illusion of a full band, and with a voice that was made for singing the Blues. I loved hearing him stripped down and raw last night.

I so did love it. Although most know that I’m the promotional director and talent buyer for the Boulder Outlook, I’m still perfectly comfortable blowing our own horn. We’ve had countless “one of those nights” at the Outlook. One jam saw the Tommy Castro Band, The Insomnias, Jason Ricci & New Blood, and the Delta Sonics. No cover. That lucky capacity crowd will be talking about that night for the rest of their Blues-loving lives. The same can be said of the audience that night with John-Alex and the CBP. So much so, that I broke the rules and let them play past music curfew. No one wanted that night to end.

Wednesday, October 19, 2011

John-Alex Mason, November 30, 19--, October 19, 2011

It is with a very heavy heart that I must report the news of John-Alex’s passing. He had been in the hospital in critical condition for almost three weeks after a routine outpatient procedure. He was comatose for all of that time with massive brain damage.

John-Alex was scheduled to play here this Saturday night with Gary Allegretto. Gary is now hosting a Memorial Concert with the Rob Wilson Band. There is no cover. 8:00 - 10:30.

Sunday we are hosting a Memorial Service and Blues Jam for John-Alex, 6:30 - 10:00. Let’s make sure he hears us. Goodbye my friend. 

~Honey Bee Sepeda

Monday, October 10, 2011

The Future of The Blues

There are several perks that come with being a talent buyer for a popular live Blues venue, and the music itself heads the list. High up on that list is bearing witness to growth of the next generation of great Blues musicians.

Yesterday afternoon, we had the Young Blood Blues Band open for a Dan King for City Council campaign volunteer party, and the kids were a worthy choice for the honor. This band came to be about three years ago, starting with Tony Golden (bass) and Zach Bahn (drums and recently excepted to the Denver School of the Arts ), who were both eight at the time. They were at the Outlook for a Sunday jam, sat in with the adults, and were already a solid rhythm section. I told them if they put together a band, I’d hire them to open on occasion. They took me seriously. Not too long after that, Zach and Tony sat in with Steady Rollin‘ Bob Margolin once at the Outlook, prompting Bob to say on the mic, “I’ve had to pay rhythm sections that aren’t this good.” Oh, and they got their picture in Blues Review magazine in Bob’s column. Not bad. Now a seasoned eleven, they rock the stage with bandmates Ryan Hutchinson, eleven (keys), Brady Hutchinson, fifteen (guitar), Melisa Lundy, thirteen (vocals), and Rhyleigh Abel, ten (harmonica).

Since the conception (Jim Primock and I even came up with the band’s name that very first night), they have played a few times at the Outlook, and I recently arranged for them to open for Bob Margolin at the Buffalo Rose in Golden, CO. They then returned the favor, and had Bob sit in with them. Pure magic. (See YouTube on the right).

Friday, September 16, 2011

The phone call came in at 10:01 a.m., Friday, September 16, 2011. It was John Catt, founder of the Grand County Blues Society. I was moments away from heading out the door for a long walk on an only-in-Colorado September day of glorious beauty; slightly crisp temperature, with glimpses of vibrant golds and reds in the leaves, heralding the upcoming annual display of their brilliant pallet. The mountains are looking on in excited anticipation of the show. It’s my favorite time of year. Then the day crashed and burned into horribleness. The conversation went like this:

HB: Hi Darlin’, what’s up.
JC: You haven’t heard [stated more as a sad fact than a question].
HB: [Cautiously] Heard what?
JC: I’m sorry, Dear, I have bad news.
HB: What.
JC: Willie “Big Eyes” Smith passed away this morning.”

It’s a few hours later, and the word “no” is still screaming in my head.

Willie and I weren’t friends on the level of phone calls and “keeping in touch.” No, ours was a Blues Friendship. Those Big Eyes lit up when he saw me, as did mine. He was one of the sweetest, loveliest people I’ve ever known, and I rejoiced every time his agent (for this region), Derek Smith, would email me with dates for Willie. The last couple of time he’s played the Outlook, I’ve had to move local bands to accommodate his schedule. The local bands didn’t complain. Actually, they felt honored to be rescheduled for Willie.


Willie and Bob Margolin were the first national acts to play the Boulder Outlook. They were on the gig together, and it was the first time I went to the place that was to become my home away from home. It was a sold-out show, and the music was superb. I saw Willie (with his band) about a year later, again at the Outlook. It was a rare weekend night that local Blues heros, the Delta Sonics, had the night off, and Willie Panker and John Butler (drums and bass respectively) came down for the show, and we all sat together. It was remarkable.


He’s played for us a number of times since, and each time our friendship grew a little deeper, with more laughs borne of familiarity and history (not to mention mutual friends). He was last here on April 23rd, and we spent a good bit of time together that day, a few hours before the gig. His son, Javik, was with him as well. We had a lovely time, most of it spent laughing. When I went up to him to say “goodnight,” I was met with the type of embrace, so warm, so genuine, that it was the first thing that sprung to my mind when John Catt delivered the sad news. I may not have Willie here any longer, but that moment is mine forever.

~Honey Bee Sepeda~

Thursday, September 8, 2011

Stuck Inside of Boulder with The Memphis Blues Again


Apparently I woke juxtaposing Memphis and Bob Dylan.  But with the IBC Preliminary Band Round here at the Outlook this Sunday, ‘tis no wonder I’ve Memphis on my mind. 

But first, tonight.  The wildly energetic Jason Downing will be here with Musketeer Gripweed, and it’s been quite some time.  Jason has unique approach to music, and he’s fun to watch.  See you tonight, Jason.

Tomorrow night brings one of my favorite’s back; Maynard Mills.  The last time he was here, Gretchen Troop and her husband, Biff, were thinking of going out, and so I suggested the Outlook for Maynard since they’d not heard him before.  They picked me up, and on the drive over told me they were only staying for the first set.  I thought to myself, “We’ll see about that.”  By the third song, they were both asking me how it was they’d not heard him before.  We stayed for both sets. 

Saturday night Paul Soderman and BluesHouze is back!  It’s been a long time coming, so don’t forget if you want to get a seat come early, however with them it’s usually come early if you want to get in.  And rest up, because there is always a very crowded dance floor for these guys. 

Thursday, September 1, 2011

Do You Remember The Very First Day Of September...

Ok, so I kind of paraphrased Earth, Wind and Fire there, but it fits. Love was changing the mind of pretenders...

Speaking of pretenders, before I go any further, a Craigslist ad was brought to my attention this morning, and I’d like our readers to know WE DID NOT PLACE THIS AD AND IT HAS NOTHING WHATSOEVER TO DO WITH THE OUTLOOK. Here’s the ad:
“Looking for a Blues Band (Colorado)
Date: 2011-08-31, 4:39PM MDT
If you are a local blues band and you have not yet played at The Blues and Greens Restaraunt in Boulder.................then I would like to see a pic, bio and hear your music.”

First of all, if I were to place an ad, the spelling and grammar would be correct. Just sayin’. Second, it’s not THE Blues and Greens, it’s Blues & Greens. We at least know the name of the venue, sheeeesh! Amateur!

Ok, so on to the Blues! Tonight is the long-awaited Clay McClinton show! We’ve all been wondering about the Son of Delbert, but we know that he grew up with the Blues in his blood, listening to the best. I can’t wait to hear this future of the Blues Ambassador. And I have to admit that since his posters have been hanging around the room for about four months now, I would be remiss if I didn’t mention that he’s something of a cutie pie. Again, just sayin’. Here’s something tasty:

“Clay's musical virtuosity shines with the release of his third album, Livin’ Out Loud (2010). He blends Americana and Texas blues with a touch of country to give us a tremendous follow up to his two previous releases—Out of the Blue (2004) and Son of a Gun (2006). Livin’ Out Loud is openhearted and thoughtful, and often explores the tension between the love for adventure and the longing for home. Clay has taken grand leaps both as a singer-songwriter and as a musician, and the eleven tracks also foretell of great things to come. Much like his earlier albums, Clay wrote or co-wrote ten of the tracks. He was honored to write with Bruce Channel, Dave Duncan, Rob Roy Parnell, Ricky Ray, and of course, Delbert. He produced the album with Kevin McKendree, a longtime family friend as well as Delbert’s piano player. Clay describes the process of creating the album with these and other great musicians as one of self-discovery and personal and professional growth.”

Saturday, August 27, 2011

To Jason, Shawn, and Todd, With All My Love

It’s been a bit more than a year since one of my favorite bands disbanded; Jason Ricci and New Blood were one of those bands that always filled a room, and we certainly miss them as a unit. There is a lot I can say but I think the review I wrote the first time I heard them almost five years ago, is pretty much to the point:

New Blood for the Blues

For centuries there has existed a rare, temporary medical condition striking a dozen or so tourists annually in Florence, Italy, the cradle of Italian Renaissance, and a city which simply groans under the weight of her myriad masterpieces. For these few tourists, encountering masterpieces pretty much wherever the eye lands, creates symptoms including amnesia, dizziness, and disorientation, and often requires a hospital stay. French novelist and writer Marie-Henri Beyle, known as Stendhal, was struck with the malaise in 1817, thus finally giving the illness a name: Stendhal Syndrome.

Boulder, Colorado has recently experienced an opposing variation of this rare malaise, in that rather than the visiting tourist being struck, it is the locals who are visited by it. And it’s not as much a visual attack, it’s an oracular one. It’s known as “JRS,’ or Jason Ricci Syndrome, and it clobbers Boulder periodically. The symptoms are the same. The treatment, however, rests not in minimizing the exposure, but intensifying it. The patient becomes incapable of resisting finding JRS-related masterpieces online and listening for hours on end, abandoning sleep and nutrition. And on occasion, all mental reason.